Singing Hildegard in Poland

This is really seriously after the fact, and I apologize, but no one ever accused me of being timely, so there you have it!

My good friend and colleague, Allegra Silbiger (a member of my girl-group Elysium), asked me to fill in for a singer in her ensemble for medieval vocal music, "Diadema", for a pair of concerts near Krakow, Poland. I thought about it for about 2 seconds, said yes, and then wondered how I was going to manage with the Boy.

As it turned out, it was even more difficult to find someone to babysit than originally anticipated because the concerts were in the middle of the school summer vacation in Lower Saxony and all my regular girls were away. However, one had a friend who was still in town and we were able to have her babysit on a teaching day before I left, so that Dante could get to know her a bit.

So, at about noon on Thursday I left home first for Berlin to meet up with the other women in the ensemble and fly onward to Krakow. Magnus was traveling until I don't remember when that day. The train and air travel all went off without a hitch and we arrived at the Tyniec Abbey (full of Benedictine Monks), where we were staying and singing on Sunday, 25 July 2011, at dinner time, albeit a bit late.

We were shown our rooms and advised that the doors to the guest house are locked at 9:30pm and that if we were going to leave the building that we should be sure to return closer to 9:00pm. Silence was to be observed after 10pm. Morning bells would ring at 5:45 and breakfast would be from 7:30 to 8:30. Phew! It was going to be a restful weekend! And I wondered if I would be able to spend even a couple of hours visiting Krakow, "Poland's most beautiful city"? More on that later.

The rooms were small but clean and serviceable. I did, in fact, go to sleep around 10:30 every night and slept until 7:30 (with a brief interruption for the bells) so I did come home pretty rested! Woot! We were fed in the refectory, but women were not allowed to eat with the Monks. They were somewhere else. Unfortunately, 2 of 3 meals consisted of bread (pasty white stuff mostly), cheese, cold cuts, tomatoes and cucumbers. Lunches were hot and quite tasty, but it took me merely a day and a half to realize that I wasn't going to see a fresh fruit for 5 days and so I went into the village and bought some. Which was delicious. Fresh and regional peaches! Mmmmmh!

We rehearsed most of the day on Friday, in the concert hall in the beautifully renovated/remodelled building where the guest house was as well. Considering we had only rehearsed together the one time in Berlin, it went very well. To our credit, the others in the group have sung together numerous times, Allegra and I are like a two-headed, Hildegard-singing monster, and I'd done the Benefit concert in Barbara Thornton's honor a couple of years ago with them and other add-ons as well. I guess it shouldn't have been such a surprise. Nevertheless, I did feel a bit like I didn't know a couple of the pieces well enough, but that soon passed.

The weather sucked. Except for Saturday, which was at least sunny, if not exactly warm. After the concert on Saturday we sat out on the patio of the cafe on the premises (closed by that time) and watched the sun set spectacularly.

The Saturday concert was at the Benedictine Convent about a half hour's drive from Tyniec. The tiny church had a very interesting acoustic, which was a bit hard to suss. The place was filled pretty much and the audience included about 10 children under the age of 8, who were unbelievably well-behaved. I guess all that church-going trains them pretty well. The performance went very well and we were satisfied. We got a standing ovation. A Consul from the German Consulate in Krakow and her family were in attendance and we spoke to them at length. They were pleasantly surprised and taken with the music, which they'd never heard.

Sunday's concert was at Tyniec in this beautiful hall. The acoustic was wonderful for Hildegard and vocal music. It was a pleasure to sing there.

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Of concerts and recitals

I forgot to mention a few other news-worthy items in my last post. Don't know how it could happen. I mean how many concerts have I sung recently? None! My last public performance was shortly before Dante's birth 13 months ago. My next performance will be on Oct. 31st. And no, it will not be an evening of Halloween music (is there such a thing? I must look into this!). I'll be reprising my performance of various pieces by none other than Hildegard von Bingen, one of my most favorite composers and a fascinating figure in History (or Herstory, considering she was a woman doing amazing things in the middle ages). This is the 4th or 5th time I've performed this particular program with the Schola Hildegardensis of Dillenburg, but it's been several years since the last one. It'll be wonderful to do it again and to see the women in the group and work with Joachim Dreher (the organist/choir director at the Herz Jesu Pfarrei in Dillenburg). It feels great to have something to work toward (I work best with a concrete goal) and the voice feels pretty good. Perhaps a little rusty, but not like one would think after months of use solely for lullabies and children's songs.

So, in the unlikely event that you actually live near Dillenburg, Germany and would like to come hear me sing, here are the pertinent details:

Schola Hildegardensis (Direction/Leitung Joachim Dreher) with Diane Severson, Solo
Music by / Gesänge von Hildegard von Bingen
Sunday/Sonntag, 31 October 2010, 17:00 (5:00 pm)
Pfarrei Herz Jesu, Dillenburg (Kirchberg)

Shortly thereafter, I'm providing my singing pupils with an opportunity to perform one of the songs we've worked on for the others. This is not a public performance. It will take place in my studio (at home!) and only those taking lessons from me will make up the audience. I used to do these regularly when I lived and taught in Frankfurt and this is the first one I've organized here in Hannover. Each singer will perform one song and it'll be about half/half classical music and pop/Jazz. A nice mix. At the end, I'll sing a few songs. I hire a pianist for these things, since I am a miserable accompanist and I'd like to listen as well. There will be 8 pupils singing, plus me, so it'll only last about 45 minutes at most, I'd say. Each pupil will have a brief rehearsal on the day with the accompanist.

I think I forgot to mention that my mother-in-law asked me to sing for some of her friends at a Kaffee Klatsch while we were in Italy recently. This is the first time she's ever done so. And I was happy to do so. So many of Magnus' family have never heard me sing and I took that opportunity to repeat the program for the family that came to Dante's birthday. This was the program:

Durante, Danza, danza fanciulla
Caccini, Amarilli mia bella
Giordani, Caro mio ben
Händel, Ombra mai fu (Xerxes)
Händel, Lascia, ch'io pianga (Rinaldo)
Mozart, Ach, ich fühl's (Zauberflöte)
Schubert, An die Musik
Schumann, Widmung
Händel, Oh, had I Jubal's Lyre (Joshua)

I must say, it went extremely well. I had put together a CD of the accompaniment (karaoke style) and stood in front of the TV and sang to about 10 people sitting on the terrace. I suppose the whole neighborhood could have listened too. Needless to say, they loved it. I'll probably do it again. It was fun!

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Concert in Berlin

On 8 November 2008 I'll be participating in a benefit/memorial concert in honor of Barbara Thornton, founder of Sequentia, ensemble for medieval music, and director of the women's vocal ensemble, Vox Femina (of which I was a member), who died 10 years ago of a brain tumor, while Vox Femina/Sequentia was touring doing Ordo Virtutum by Hildegard von Bingen.  The concert proceeds will go to the German Brain Tumor Fund (die Deutsche Hirntumor Hilfe).

8 November 2008 8pm / 20:00
St. Johannes Evangelist Church
Auguststr. 90
Berlin, Germany


The concert is organized by my fellow Elysia, Allegra Silbiger, who had a close pupil/mentor relationship with Barbara. Several of the performers in the concert worked with Barbara at one time or another.

I can't believe that it has been 10 years already. It seems like yesterday, somehow. Her death, while we were all on tour, was hard to take. We all knew it was coming and we had all suffered through trying periods (the first tour half a year earlier), while Barbara was still working with us.  But she was a brilliant musician, a real work-horse and inspirational in many ways. She brought the world the music of Hildegard of Bingen in a way that made it immediate, not 900 years old. It was an honor to work with her and I hope that in some way she lives on through me.